d59b7fdc2a0ab840b3c906500c2dbd763d71e38b
7
Commits
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53eb954c86 |
feat: video rips and stray copies handle themselves (M498 #5439)
release / web (push) Failing after 26s
release / govulncheck (push) Successful in 25s
release / go (push) Failing after 58s
release / Attach APK to the Release (tag releases only) (push) Canceled after 0s
release / Build + push container image (push) Canceled after 0s
release / Verify release artifacts (tag releases only) (push) Canceled after 0s
release / integration (push) Canceled after 3m25s
release / Build signed APK (releases and dev) (push) Canceled after 3m26s
release / android (push) Canceled after 3m28s
- The resolver also merges cross-release and mismatch groups where Lidarr
maps exactly one copy: the others fulfil nothing, so removing them opens no
hole (D-a rule 1). That covers a rip beside the clean copy on another
release and a wrong-file import Lidarr holds unmapped. With two or more
mapped copies each fulfils its own release and nothing is removed.
- A track whose file name carries a video-rip marker is held back from radio
and the system mixes (tracks.source_verdict, migration 0077). It still plays
when chosen. A renamed file is released; the operator's "fine" sticks.
- Suspect sources shows what was done to each track, with "This one is fine"
and "Hold back again" (PUT /api/admin/library/suspect-sources/{id}).
- The Liked list prefers a copy that is not held back.
Replacing a rip that has no clean copy is left for the operator to decide.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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5b372f61d7 |
feat: the same song on several releases counts as one song (M498 #5438)
release / govulncheck (push) Successful in 21s
release / web (push) Successful in 1m7s
release / go (push) Successful in 1m29s
release / integration (push) Successful in 4m11s
release / Attach APK to the Release (tag releases only) (push) Canceled after 0s
release / Build + push container image (push) Canceled after 0s
release / Verify release artifacts (tag releases only) (push) Canceled after 0s
release / android (push) Canceled after 5m58s
release / Build signed APK (releases and dev) (push) Canceled after 5m59s
A single and the album it is on stay two files, since each fulfils its own
release in Lidarr, but they are one song to the listener.
- tracks.song_id links copies; the generated song_key (song_id, else the
track's own id) is what they share (migration 0076).
- The resolver links each cross-release group every pass (idempotent; only
with auto-resolve on) and, when a link is new, shares existing likes across
the song and logs them for sync.
- A like or unlike (web and Subsonic) reaches every copy; each change is
logged and published so clients update every heart.
- The Liked list and its count show the song once; Shuffle and the mix writer
take one copy per song.
- A merge keeps the removed copy's song link; "Not the same song" on the
Across releases tab dismisses the group and undoes the link.
Shared plays ("heard via another copy") are left for a later step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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3c575b137c |
feat(library): AcoustID lookup worker fills the MBIDs tags leave empty (M401 #3920 #3921)
release / web (push) Successful in 1m44s
release / go (push) Successful in 2m1s
release / govulncheck (push) Successful in 17s
release / integration (push) Successful in 5m22s
release / android (push) Successful in 5m48s
release / Build signed APK (releases and dev) (push) Successful in 5m53s
release / Attach APK to the Release (tag releases only) (push) Skipped
release / Build + push container image (push) Successful in 2m6s
release / Verify release artifacts (tag releases only) (push) Skipped
Migration 0069 adds tracks.mbid_source (tag | acoustid), a lookup state per track (matched | ambiguous | no_match | failed) and the acoustid_settings row (off, no key, min score 0.85). The file's tag outranks a lookup (D4). UpsertTrack keeps a looked-up id through a re-read that finds no tag id and replaces it as soon as one appears. SetTrackMbidFromAcoustID refuses to write over a tag id. The worker fingerprints each untagged track with fpcalc's compressed print, looks it up and writes an id only when D5 settles it: one recording at or above the threshold, or one left after matching title and length. Ambiguous and no-match results write nothing. A key AcoustID refuses, or the service being unreachable, stops the pass and is reported in the worker's status. It never counts as a verdict on a track. A changed file drops its lookup in the scan. The re-lookup takes back an id that no longer matches. Admin API: GET /api/admin/library/acoustid (settings, status, coverage by source), PUT …/acoustid-settings (write-only key), POST …/acoustid/run, GET …/acoustid/unsettled. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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f6d1cf24f0 |
feat(library): detect missing files and stop offering them — #2523
Nothing in Minstrel ever noticed a deleted file. The walk only visits paths that exist, so a row whose file was gone was never scanned, never errored, never counted — permanently invisible. classifyEvent ignores fsnotify removals by design, and the safety-net scan is the same walk, so it covers additions only. Rows accumulated forever. Found on the operator's library: a completed scan reported skipped=24185 errored=0 while the MBID backfill (which opens files by DB path rather than walking) logged ~40 "no such file or directory" across three reorganised albums. Those rows also kept their pre-#2499 welded genre, which is how this surfaced — the version-stamped tag re-read can only reach files the walk visits. The harm is not cosmetic. tracks is the candidate universe for recommendation.sql / discover.sql / system_mixes.sql and nothing filtered on file existence, so a mix could spend a slot on a track that cannot stream. Marks rather than deletes. A missing file is a claim about the filesystem and the filesystem lies transiently — an unmounted volume, a network blip, a container that started before its media mount attached. Every sweep in internal/gc resolves a truth INSIDE the database and is safe to run blind; this one is not, so no deletion happens here. Three guards refuse to act on ambiguous evidence: every scan root must resolve to a non-empty directory, the walk must have seen at least one file, and one reconcile may newly mark at most 25% of the library. Clearing a mark is never the dangerous direction, so it runs unconditionally — otherwise a library that tripped the cap could never recover once the mount returned. Only a full Scan reconciles. The walk's set of seen paths is the evidence, and ScanFiles has no basis for concluding anything about files it did not look at. Excludes marked tracks from all 13 track-emitting queries (radio x2, system mixes x5, discover x4, most-played x2), the 6 play-history seed picks, and the genre browse axis. Deliberately NOT filtered: the shared ListPlaylistTracks read path, because it also serves user-curated playlists where hiding a track the user added would be wrong — system playlists shed orphans on their next daily rebuild instead. History and the taste profile also keep them: those record the past, and a track you played 200 times still says something about your taste. Reconcile tallies land in scan_runs so a disappearance is visible rather than discovered when a mix comes up short. |
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37b396a7e4 |
fix(scanner): read multi-value genre frames correctly — #2499
dhowden/tag's readTFrame splits ID3v2 null-separated multi-value text frames and rejoins them with the EMPTY string, so a file tagged "Alternative Rock" + "Rock" was stored as "Alternative RockRock". It also leaves bare numeric ID3v1 references unresolved, which is why the library showed genres like "4017" and "526617". This corrupted more than the browse axis added in #367: taste_profile.sql reads tracks.genre directly, so the welded tokens were entering the taste profile's tag vocabulary, and recommendation.sql/discover.sql were comparing them as single opaque tags. Genre counts were wrong everywhere. ffprobe is not a fix — ffmpeg's read_ttag calls decode_str once with no loop, keeping only the first value. Truncating multi-genre tags would blunt the similarity signal genre mainly feeds. So the TCON frame is now parsed directly (ID3v2.2/2.3/2.4, all four text encodings, per-frame and tag-level unsynchronisation, numeric and parenthesised ID3v1 references); everything else still comes from dhowden/tag. Values are stored ";"-delimited, which the read side already splits on, so no query changes. Existing rows are repaired without an operator-run rebuild: migration 0054 adds tracks.tag_read_version DEFAULT 0, below the scanner's current tagReadVersion, so the next scan re-reads tags it would otherwise skip on mtime. Such a re-read reuses the stored duration instead of re-running ffprobe, keeping a repair pass tag-read-bound rather than one fork+exec per file. Bumping the constant is how a future extraction fix reaches an existing library. Only ID3v2 is in scope — dhowden welds nowhere else. The Vorbis/MP4 repeated-field question is #2500, unproven and deliberately not built. |
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cb0af5efd3 |
fix(dbq): commit the rest of the 0042 regen (Track model + embedders)
The previous commit staged only track_tags.sql.go and left the rest of the sqlc regen uncommitted, so HEAD referenced TrackTag / the new tracks.tag_source columns without their definitions — a broken tree. Adding tracks.tag_source + tag_sources_version to the tracks table regenerated every generated file that returns/embeds the Track model (models.go, tracks/events/history/likes/recommendation). Commit them all together so dev HEAD compiles. Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com> |
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45a17e4e95 | feat(server/m7-365): sqlc query for user listening history |