The full hat does not resolve below ~32px, which the header worked around
by sizing up. A browser tab cannot: it renders the favicon at 16px and
does not ask. There the mark was a blob.
Deriving a small form from the traced art does not work, and this is the
non-obvious part. Hole-filling, morphological smoothing and dropping
components were all tried; every one of them preserves the overall
silhouette, and the overall silhouette — dominated by a long diagonal
plume — is precisely what fails. The result each time was a diagonal
smear that reads as no object at all.
So the reduced form is drawn rather than derived: a strong horizontal
brim under a crown that peaks left of centre, a band slit so the two do
not fuse, and a short pointed plume. Same lean and proportions as the
full mark, detail removed instead of minified.
favicon.svg and favicon.png now use it; apple-touch, icon-512 and the
Android launcher icons keep the full art, being large enough for it. The
plume carries the accent, which measures 3.04:1 on obsidian and 5.43:1 on
the light ground — both clear of the 3:1 graphics floor.
Also corrects the accent-on-iron figure in the generator's comment from
2.80:1 to 2.70:1. The real --fs-iron is #1E2228; 2.80 came from measuring
against a value I had guessed rather than read.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01SQ31KQpYbStyK5y58UmPLH
The mark is now a feathered hat with an arc of eighth notes, traced from
the operator's reference artwork at 99.74% IoU. The hat takes the text
colour and the note arc holds the accent — the same construction the M
used, and for the same reason: parchment on a light surface is invisible,
so the silhouette has to flip with its background while the accent stays
constant.
This reverses the subject-neutrality argument recorded in Minstrel's
design system, which held that depicting a bard would tell a new user the
app is for renaissance-faire music and had twice rejected a hat. The
operator commissioned this artwork and chose it with that objection on the
table; the record is updated rather than silently contradicted.
Both accent-filled alternatives were measured and rejected: #4A6B5C is
3.04:1 on obsidian and 2.80:1 on the raised iron, so an accent hat drops
under the 3:1 graphics floor as soon as it sits on a card.
tools/gen-brand-assets.py is the single source for the four copies, which
cannot share a file because each needs a different colour mechanism —
currentColor inlined, a prefers-color-scheme swap in the favicon, literal
fills in mark.svg, flat pixels in the rasters. Hand-copying 20KB of path
data four ways is how a silhouette change lands in three of them.
Two notes on the trace, both non-obvious: it runs on the original
antialiased greyscale rather than a binary mask, because tracing a
supersampled mask scores ~100% IoU by reproducing the pixel staircase
exactly — a perfect number for jagged art at 120KB of path, versus 99.74%
at 20KB. And potrace reads PBM where bit 1 is black, so the ink mask is
inverted going in; backwards, it traces the background and still emits a
plausible-looking SVG.
The header lockup moves 20px → 28px: the hat carries far more detail than
the M and does not resolve below ~32px. The 16px browser-tab favicon is
still a blob at that size and is not addressed here.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01SQ31KQpYbStyK5y58UmPLH